Susanoo
The storm and sea god, younger brother of Amaterasu; famed for slaying the eight-headed serpent Yamata-no-Orochi and for his role in the subjugation of the island (Kuniyurinshi).

Who they are
- Slays the eight-headed serpent Yamata-no-Orochi and finds the sword Kusanagi in its tail [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗.
- Banished from Takamagahara for desecrating the heavenly fields and weaving hall [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗.
- Co-acts with Takemikazuchi in the subjugation of Ōkuninushi (Kuniyurinshi) [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗.
- The ordering of his exploits (Orochi-slaying vs. the Kuniyurinshi) and some details differ between the Kojiki and Nihon Shoki [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗[S2]S2 · *Nihon Shoki* ('Chronicles of Japan', 720 CE) — PRIMARY TEXT (annalistic + mythographic) — (translation: G. Cameron, 1968; see Internet Arch.
- The identity and exact role of the 'sword' he obtains and carries (Kusanagi) is treated differently in the two texts [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗[S2]S2 · *Nihon Shoki* ('Chronicles of Japan', 720 CE) — PRIMARY TEXT (annalistic + mythographic) — (translation: G. Cameron, 1968; see Internet Arch.
Connections
10 rows · 13 recorded edges — identical notes are grouped
Family & kinship
Partners
Conflict & enmity
Artifacts
Their corner of the divine world
- parentage
- marriage ♥
far = primordials · medium = all · close = detail — scroll/pan, click a deity to focus
4 stories
Izanagi and Izanami Form the Islands
The creator pair Izanagi and Izanami stand on the Floating Bridge of Heaven (Ame-no-ukihashi) and, with the jeweled spear Ame-no-nuhokohe, stir the brine of the deep sea; the salt that drips from the spear forms the first island, Onogoro [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. There they wed and, in a series of 'birthings,' produce the great islands of Japan (naming them as they are formed) and then the deities (kami) who attend them [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. The sequence of islands and the sequence of kami are given in the text, though the two lists differ between the Kojiki and Nihon Shoki [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗[S2]S2 · *Nihon Shoki* ('Chronicles of Japan', 720 CE) — PRIMARY TEXT (annalistic + mythographic) — (translation: G. Cameron, 1968; see Internet Arch.
The Heavenly Rock-Cave (Amaterasu and the Dark World)
After his brother Susanoo is banished from the High Plain of Heaven for his violent misconduct, Amaterasu, in grief and fear, withdraws into the Heavenly Rock-Cave (Ame-no-Ohafutsu), and the world is plunged into darkness [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. The assembled kami devise a plan to lure her out: the goddess Ame-no-Uzume performs a dance (on an upturned tub), and with the clamor of the assembled deities (including the thunder god Takemikazuchi) and a held-out mirror, they provoke Amaterasu's curiosity and joy [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. She peers out to see what the commotion is, sees her own radiance in the mirror, and is drawn back into the light, restoring the world [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. This is the mythic origin of the kagura (ritual dance) and of the 'luring back of the sun' [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗[S2]S2 · *Nihon Shoki* ('Chronicles of Japan', 720 CE) — PRIMARY TEXT (annalistic + mythographic) — (translation: G. Cameron, 1968; see Internet Arch.
Susanoo Slayes Yamata-no-Orochi
On his way down from the banished heaven to the earthly realm (Izumo), Susanoo meets the weeping parents of a family whose daughters are being devoured by the eight-headed, eight-tailed serpent Yamata-no-Orochi; seven of the eight daughters have already been eaten, and the last, Kushinada-hime, is next [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. Susanoo asks for her hand, turns himself into a hair-comb, and has her wear it in her hair [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. He prepares eight vats of sweetened sake and sets out eight cutting-stations; when the serpent drinks and comes to drink, Susanoo slays it, and in its tail he finds the sword Kusanagi (Ame-murakumo-no-tsurugi) [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. He rescues Kushinada-hime and marries her [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. This is the archetypal Japanese monster-slaying myth and the origin of the sacred sword Kusanagi [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗[S2]S2 · *Nihon Shoki* ('Chronicles of Japan', 720 CE) — PRIMARY TEXT (annalistic + mythographic) — (translation: G. Cameron, 1968; see Internet Arch.
The Subjugation of the Country (Kuniyurinshi)
When the heavenly prince Ninigi is sent down to rule the middle land, the indigenous island god Ōkuninushi and his retinue (led by the crossroads god Sarutahiko) resist the heavenly takeover [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. A contest ensues, centered on the throwing of the sword: the thunder god Takemikazuchi throws the sword (Kusanagi) from the high land to the middle land, hitting the target and demonstrating the heavenly gods' strength [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. Sarutahiko, carrying the sword, is subdued, and Ōkuninushi is defeated; he yields the land and hands over the three sacred regalia (mirror, jewel, sword) as pledge [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗. Thereafter Ōkuninushi becomes a local deity of the earth, healing, and agriculture (especially in Izumo), while the heavenly line takes sovereignty [S1]S1 · *Kojiki* ('Records of Ancient Matters', 712 CE), trans. Basil Hall Chamberlain (1882/1933) — PRIMARY TRANSLATION — https://sacred-texts.com/Open source ↗[S2]S2 · *Nihon Shoki* ('Chronicles of Japan', 720 CE) — PRIMARY TEXT (annalistic + mythographic) — (translation: G. Cameron, 1968; see Internet Arch. This is the mythic foundation of the transfer of rule from the indigenous to the heavenly/imperial line.
Objects they wielded, forged, or were bound to
INTERPRETIVE CLASSIFICATION · FULL PROFILE IN THE DIVINE VAULT
Depictions



